河南安阳黑檀二胡厂家为你介绍二胡的教学

另一方面，随着社会与民族文化的高速发展，涌现出一批与时代并进的少青派二胡新秀，笔者称之为二胡“现代派”。这些气势旺盛、充满朝气的、且又完全受新时代高速发展的文化社会所陶制的群体，在学习二胡演奏的过程中，大多表现为思维敏捷、上手快、技术适应性较强。从而就有了:西方乐曲高难度的演奏，在他们手中不在话下...似乎令一些德高望重的前辈们力所不能及。但是，二胡就是二胡，它绝不是小提琴、钢琴等西洋乐器。二胡本身之所以能流传发展至今，是它独自的魅力所决定的。千百年的人文、民土风情和沧桑所造就的二胡表现魅力，是同它悠久的历史分不开的。脱离了传统的宝贵基础，二胡演奏就难免浮华、枯燥，难免暴露音乐理念上的稚嫩性．发展是好的，进步是必然的，发展和进步是针对原有而言的，如果完全脱了轨，就不是发扬光大，确切的说是“蜕变”。如果认识到了这一点，你就会同时感受到老前辈们的“手上活儿”也是我们力所不能及的呀！只有在立足于传统的基础上积极的借鉴、中西合理的结合、传统与现代的结合才符合二胡演奏艺术发展的必然规律。

Theory of erhu the combination of traditional and modern (guan wei)
Today's erhu teaching two tendencies: on the one hand, elderly predecessors mostly focus on traditional teaching concept. For example, the style of teaching content, teaching methods and even XiQin, united, playing characteristics, and so on. The author in the contact with these "traditional", realize the erhu has a long history of China from their artistic charm, one thousand down into strings and customs of a hand, the combination of thick deep connotation is one of the few "modernist school" of...
On the other hand, with the high-speed development of society and culture, and emerge a batch of hand in hand with less green pie erhu rookie, the author called erhu "modernist school". The momentum strong, full of youthful spirit, and is completely in the new era